Kamerasaku ini juga telah dilengkapi dengan Shutter Speed 1 - 1/4000sec., 15 - 1sec. dan juga (ISO) AUTO, ISO100 - ISO800, dan mendukung Flash Memory SD, SDHC, SDXC. Selain itu, kamera Canon PowerShot SX410 IS ini mengusung layar LCD seluas 3 inci dengan tipe TFT dengan 230,000 dots dan didukung High-speed USB, serta mampu melakukan Kelebihandan Kekurangan Printer Canon IP2770 - Printer Canon IP2770 adalah salah satu jenis printer yang sangat banyak penggunanya. Mulai dari pekerja kantoran, mahasiswa, pelaku usaha, serta instansi-instansi lainnya. Dan termasuk juga diri saya sendiri, karena harganya yang cukup terjangkau dan ekonomis, juga hasil cetakan yang cukup berkualitas. CanonSuper High Temperature Grease - Kelebihan dan Kekurangan Mesin Fotocopy Canon Super High Temperature Grease Review Kelemahan dan Keunggulan Canon - Super High Temperature Grease Review detail pelanggan mengenai Spesifikasi dan Harga mesin fotocopy Canon dengan Rp -4.750.000 - Mulyafotocopy.Com Halaman 3 Vay Tiền Nhanh. The Canon PowerShot SX50 HS is the manufacturer’s latest superzoom bridge camera, and it boasts an impressive focal range. Recent times have seen camera manufacturers chase “numbers on the box”, particularly around pixel counts, which has been almost relentless. Today there’s a new chase however, the chase for longer and longer lenses within compact cameras and Canon has now pushed that boundary further than ever with the SX50 HS. This model sports a 50x optical zoom lens offering an amazing 24mm wide focal length at one end and a monstrous 1200mm at the tele end of its zoom. Canon PowerShot SX50 HS Review – Features and Handling The Canon PowerShot SX50HS’s lens astonishing feat of optical engineering, but it comes with a few health warnings. For a start its maximum apertures of f/ to f/ are rather limiting in terms of light gathering power and depth of field control, while you’ll need to carry a tripod or have surgeon steady hands to keep things shake free at lower ISO and at full zoom. The SX50 HS actually preserves many features from its SX40 predecessor and this includes its Megapixel CMOS sensor, DIGIC 5 processor, a rotating LCD display though the SX50’s is very slightly larger and full manual controls. The hot shoe remains too, as does the very useful Zoom Framing Assist feature which allows you to control the framing at bigger zoom ratios where there’s a tendency for the framing to wander due to you cameras shake or the anti shake system making things stray across the frame. There are some really cool new features too and my favourite among them is RAW shooting including combined simultaneous RAW and JPEG capture a faster AF set up, though this has its foibles, and improved continuous shooting speeds of up to 13fps. Another plus is there are now extra scene modes within the camera’s Smart Auto mode. Camera size and handling In terms of design, even with that 24mm to 1200mm lens, the SX50 HS is actually still a mid-sized super zoom snapper. The build quality is okay in that it has a plastic body and lens barrel over a metal skeleton. The camera’s relatively small then and sits nicely in the hand, but I found use one handed – of course that’s assuming you want to risk such a relaxed approach with that long zoom – meant the controls under your right thumb are too easy to depress by accident. I also found the aforementioned maximum aperture range makes the camera one of the slowest lensed models in its class, something that is the comprise necessary to get such a long focal range crammed into one optical train. Like the SX40, here the 50x zoom lens utilises Canon’s excellent USM ultrasonic motor for very quiet focusing – great when shooting HD movies – but apart from that gigantic zoom, the front of the camera has just one other feature of note, its AF-assist lamp. This is squeezed into the upper-right corner of the camera from the front. The lamp doubles up as the redeye reduction lamp and as the self-timer’s count down indicator. As with other similar long zoom cameras such as this, the image Canon SX50 HS’s stabilisation system needs to be good and it is here, thankfully. The SX50 utilises Canon’s lens-shift IS, and includes Canon’s Intelligent IS feature to choose between the panning, hybrid, or tripod modes for the situation at hand. There’s a natty dynamic IS mode that can reduce extreme camera shake when recording movies as well as a powered IS mode for shooting at the full telephoto 1200mm zoom. Other kit includes the camera’s tiny manually control flip-up flash unit, which offers a modicum of extra light but is woefully underpowered and so the addition of the hot shoe makes the use of a “proper” flashgun something that then adds a great dollop of extra flexibility and versatility to the camera and makes up for the built-in flashes limitations. LCD screen The SX50 HS’s rear has the slightly larger 461K-dot LCD fully tilt, turn and swivel-able display, the SX40 had a 230k-dot screen; up to 270 degrees, allowing you to snap shots over heads of those in front of you or use a tripod particularly when low to the ground without straining your neck, a la waist level finders on camera of yore. The LCD is best described as acceptable; it was just about usable outdoors in bright sunlight, if a little flat and lacking sharpness. But what really disappointed was the electronic viewfinder EVF. I much prefer a camera to have some form of “proper” viewfinder and if it has to be an EVF, that’s better than nothing. But this is not what I was expecting. It’s blurred and not sharp across the very tiny frame, the dioptre adjustment is good to have but was really hard to use as the dial is too slippery and it’s adjustment was way to course to get it set just right. The SX50 HS’s top plate houses the excellent-to-have hot shoe, a flash mode button and the main mode dial. If you use an external flash Canon’s guns will sync with the SX50’s metering system, you’ll be able to adjust the flash settings using the camera’s interface, and the AF-assist, redeye reduction, and high speed flash sync features will be at your command as well. If you don’t have a dedicated Canon flash you’ll have to adjust everything manually. Button layout On the SX50 HS’s mode dial, you can get at all the meat of the camera’s settings that includes the manual controls, the automatic settings and the scene and filter modes as well. A large on/off button is crouched alongside the mode dial; forward of this is the shutter button and its surrounding lens zoom lever. Move to the back plate and as well as the large display, you’ll find the playback button, a dedicated movie recording button, which is just a little to recessed for my large thumb, and so was problematic to use quickly and under that you’ll find the focus point selection button. On the right side of the camera, sheltering from dust and dirt under a snug, flush fitting rubber cover, are the SX50’s three I/O ports. These cater to wired remote control, which is another new feature over the SX40, the USB + A/V output, and mini-HDMI port and finally you’ll find the port for the optional mains power cable. The camera’s four-way jog button houses the camera’s direct buttons for ISO, exposure compensation, self-timer functions and the focus modes. It’s central FUNC/SET” button is used to access the usual Canon on-screen menu system or choose and scroll chosen options, pictures or settings. A thin rotating dial surrounds this but it is recessed just enough to get it out of the way, but too much to make it really easy to use. Another button, not mentioned yet but one which is my favourite, is the “S” button sat to the left side of the EVF on the back, it’s the shortcut button. Essentially, it is a user assigned button, so you can load it with functions or rather a function you use a lot but not catered to elsewhere on the camera, including the excellent i-Contrast. Metering, aspect ratio, AF type, white balance WB and drive modes are all other functions that can be assigned here; what you use depends on your style of shooting or the type of photo you’re about to take. Manual controls The SX50 HS’s manual controls are all adjusted using the abovementioned rotating dial that sites around the four-way jog controls. Spin it in aperture priority and the apertures adjust through their modest range of f/ to f/8; switch to shutter priority and you can spin it through the 15 second to 1/200th-second settings; in full manual control it defaults to shutter speed adjustment, to change apertures and back again you press the exposure compensation button on the top of the four way jogger. This is all simple to do and straightforward enough, but should you want to stick to the automated features then you have Program AE it’s like auto but without the camera choosing a scene mode for you, Auto mode is as described previously, the camera does the “thinking” in terms of subject mode but it’s very slow and gets it wrong on occasions too. The SX50 HS’s movie settings include Full HD 1080P capture but at 24fps. Many similar cameras today boast the “smoother” 60fps rate and it’s true to say, pan too fast on the SX50 and the results are a little jumpy. The camera’s Ultrasonic focusing system means you can have continuous AF during movie capture without any audio interference on the stereo audio. And zooming that massive lens during shooting is also noiseless, both things I’ve not been able to write for cameras of this ilk before, so well done Canon on both of those. Find the best deals for the Canon Powershot SX50 HS zoom_out_map 1/7 zoom_out_map 2/7 zoom_out_map 3/7 zoom_out_map 4/7 zoom_out_map 5/7 zoom_out_map 6/7 zoom_out_map 7/7 Avaliação de Maurício Moraes / Enxergar longe é muito fácil com esta câmera da Canon. O zoom óptico de 50 vezes é o maior de todos os modelos já testados no INFOlab. Tamanho grau de aproximação poderia resultar em imagens tremidas, mas a estabilização de imagem funcionou muito bem nos testes. A PowerShot registrou belas fotos em ambientes mais iluminados, mas teve dificuldades para retratar cenas mais escuras ou com muitas sombras. O visor eletrônico serve só como quebra-galho. Avaliação de César Pereira / A PowerShot SX50 HS é uma das melhores câmeras superzoom que já testamos. Com aproximação de 50x, é também a que tem maior distância focal e faz um ótimo trabalho aproximando objetos que estão longe, com uma boa estabilização de imagem. A câmera consegue definir uma medida razoável de detalhes e trata bem as cores que, com a iluminação certa, são vivas. Mas não escapa de problemas, especialmente nas cenas de ampla gama dinâmica e situações em que aparece bastante ruído. Também há um pouco de aberração cromática em ciano em enquadramentos com luz de fundo, mas nada além do esperado. Foto por INFOlab Foto por INFOlab Foto por INFOlab Foto por INFOlab Nos menores valores de ISO, a câmera faz fotos borradas por diminuir a velocidade, mas isso só é perceptível no tamanho natural e não deve ser um problema. Os primeiros indícios de ruído aparecem em algumas áreas já no ISO 125. No ISO 200, as cores ficam desbotadas. No ISO 1000, é difícil ignorar a perda de detalhes. Foto por INFOlab Foto por INFOlab A estabilização, além de manter o zoom com dignidade, ajuda também nas fotos que não o utilizam e nas filmagens, que podem ser até Full HD em 24 FPS; 30 FPS em HD e VGA e são gravados em MOV. E o AF também não é dos melhores o motor é lento, barulhento e impreciso. O visor da PowerShot SX50 HS é eletrônico e tem péssima qualidade. Muito pequeno, com apenas 202k de resolução e cores completamente distorcidas, só não é pior do que não ter um visor. Já o LCD traseiro é bom, com 2,8 polegadas, e o destaque fica com a quantidade de informações e grau de customização que oferece. É capaz de exibir quase todas as informações relevantes para a captura, incluindo histograma, grelha, exposição e fotometria. O que falta, como balanço de branco e modo de foco, pode ser facilmente acessado pelo botão Func. Set. Outro recurso interessante é a possibilidade de mostrar informações diferentes no EVF e na tela traseira. Mas ela não usa um sensor de proximidade e cabe ao usuário alternar manualmente entre os dois displays. Nos controles, a seleção dos manuais é interessante. Além do PASM e do Auto tradicionais, a câmera tem dois personalizáveis, Filmagem, Esporte para disparo contínuo, Movie Digest grava clipes de vídeo em conjunto com as fotos, HDR que também agrega vários filtros de cor e efeitos como olho de peixe e diversas Cenas panorama, fogos de artifício, neve, noturno, disparo contínuo rápido, disparo com detecção de face e retrato. Apesar de todos os descritos acima, o destaque vai para os controles de zoom um deles serve como um atalho de posições de distância focal para a hora de enquadrar e o outro trava o OIS no centro do quadro, para que não perca o objeto. No design, ela é similar a uma DSLR, o que lhe rende pontos na ergonomia. O corpo é de plástico, mas sem aparentar fragilidade ou um equipamento barato. Falando em números, a câmera mede 12 por 8,6 por 10,5 centímetros e pesa 603 gramas. Ficha técnica Sensor 12,1 MP Zoom óptico 50x 4,3 a 215 mm Filmagem 1080p LCD 2,8 Peso 603 g Avaliação técnica Prós Maior zoom óptico de câmeras testadas no INFOlab; suporte a RAW; excelente estabilização; qualidade de imagem razoável; controles manuais e virtuais bem pensados Contras AF lento e inconstante; tempo de disparo considerável; lente escura; problemas com cenas de ampla gama dinâmica foto e vídeo Conclusão A estabilidade com o zoom de 50x é notável nessa máquina Média Preço R$ 2 299 Canon PowerShot SX50 HS MSRP $ “For users seeking a camera with a super-long zoom without having to venture into DSLR territory, the SX50 HS is a compelling choice.” Pros Industry-leading 24-1200mm 50x optical zoom Rich, accurate colors Excellent image stabilization system Cons Noise issues at higher ISOs Video frame rate behind the times EVF should be larger If there is one type of point-and-shoot that is holding up against the smart phone onslaught, it’s the mega-zoom. For all their convenience, smart phones have poor-quality digital zooms, nothing like the Canon PowerShot SX50 HS with its 50x glass optics. Despite issues with noise at high ISO and less-than-stellar video, the SX50 is a great option for those who want a good-quality point-and-shoot with a telephoto zoom. Features and Design The SX50 doesn’t look that different than the model it replaces, the SX40 HS with a 35x zoom. We loved the SX40’s focal length 24-840mm and image quality, and now Canon has upped the ante in the SX50 with a longer zoom lens that travels from 24-1200mm, which means you can easily take wide group shots or zero in on a bird’s eye on a distant tree. This is a great creative palette and we can guarantee you’ll go zoom crazy once you start playing with it. The camera has a distinct DSLR vibe with its beefy body. No featherweight, it tips the scales at 21 ounces with the battery, measuring x x WHD, in inches. You’ll definitely want to use the supplied neck strap and a two-handed grip. If not two hands, expect blurry shots even with the good optical image stabilization anti-shake system. Besides the lens, the key feature on the front is the AF Assist lamp to help accurately focus your subjects. The main functions on the top deck are the manual pick-up flash, two pinhole stereo mics, accessory hot shoe, power button, and mode dial that solidly clicks from one selection to the next. On the grip is the shutter and zoom toggle switch. The mode dial lets you fire away in Smart Auto where the camera guesses the scene in front of it and adjusts accordingly. It recognizes 58 scenes versus 32 for the SX40. If you’re up for going beyond aim-and-forget, there’s P/A/S/M, access to Scene modes, HDR High Dynamic Range, and Movie, among others. It’s a good mix for someone looking to move beyond the basics but not nearly as sophisticated as a DSLR or Compact System Camera — especially since manual focus isn’t available. You can, however, adjust shutter speed and aperture 15-1/2000th, f/ depending on your focal length. Again, it may look like a small DSLR but this fixed-lens camera is not nearly as advanced. Then again you’d go broke if you bought all the lenses needed for a 24-1200mm range — and we really mean busted. Like most quality mega-zooms the Canon has an electronic viewfinder EVF as well as an LCD to frame and review your images. The EVF is rated 202K dots and, although bright, is really small. You’ll need it, however, since shooting at 1200mm with your hands stretched out in front using just the LCD to frame your shots is a fool’s errand — sharp images are out of the question when you rely on the LCD. You need a steady two-handed grip and proper stance to get good photos at full telephoto. A monopod would come in handy for shooting in general and taking quality HDR images, which are three shots taken in rapid succession each at a different exposure, from light to dark and combined in-camera to create a photo with a higher dynamic range. The SX50 has a slightly larger LCD than the SX40 versus inches but it’s dramatically improved to 461K pixels over the paltry 230K of the older model. We had few issues using it, even under direct sunshine. The camera has a vari-angle screen so it can be twisted for unusual shooting angles and even turned in on itself to prevent scratches. The controls on the back panel are self-explanatory — playback, red-dotted movie button, display, menu, and four-way controller with surrounding jog wheel. The four points give you direct access to the self-timer, ISO, focus type, and exposure compensation. One unusual button is the AF Frame Selector that lets you choose a spot anywhere in the frame for critical focus. When we last reviewed the SX40, there was one feature we raved about — Zoom Framing Assist — that lets you quickly reacquire your subject at extreme telephoto. This feature has been enhanced in the SX50 and the controls have moved to the lens barrel. The camera has mini-HDMI and USB outs with metal tripod mount and battery/card compartment on the bottom. What’s In The Box If you purchase the SX50 HS, you’ll get the camera, a battery rated a decent 315 shots good for a full-day’s workout, plug-in wall charger, strap, lens cap with attaching string, and a Getting Started booklet. There is also a CD containing the full 286-page manual in PDF and Canon’s software suite including Digital Photo Professional to handle RAW files. You’ll need SD media not included, naturally and we recommend at least 8GB or more, Class 6 or better for this camera. Performance and Use We set the SX50 to maximum resolution for stills and movies. The camera has a CMOS sensor so the pixel count is 4000×3000, RAW or JPEG. Note this chip measures 1/ which means it’s very small compared to those in DSLRs and CSCs, as well as some enthusiast digicams. For example, the PowerShot G15 features a sensor that measures 1/ inches, which has 35 percent more area than the SX50’s. Since small sensors equal more digital noise, we kept the ISO Auto limit at 800, rather than the maximum 1600; the camera’s range is 80-6400 when you move into P/A/S/M modes. After we did our shooting, images were enlarged 100-percent and higher for the requisite pixel peeping and videos reviewed on a 50-inch plasma via HDMI. We found the SX50 HS to be an excellent camera with a good lens and even better optical image stabilization system. We could capture wide-angle landscapes, then zoom into the tree bark and small branches. There was very little evidence of purple fringing, a bugaboo for telephoto shots. When shooting some brightly-colored chrysanthemums there was plenty of detail with spot-on colors using a forced flash helped. Macro scenes of a wet spider web were also quite good, as was a glorious sunset after a rainstorm. Since this is a mega-zoom we had to take photos at 24mm and 1200mm of the same scene. We did this of the famous Wonder Bar in Asbury Park, with the classic Asbury Park mascot Tillie emblazoned on the side. You can see the painted lines of Tillie’s eyes as well as the surface of the building. The same held true for wide and telephoto shots of the boardwalk all the way down to the old Casino building. This is a lot of fun. The camera was easy to handle and operate. AF is quick with little grabbing. When we were at 1200mm, we used the very helpful Framing Assist Seek, which zooms back so you can reacquire your subject if you shift the camera. As we mentioned, Canon moved this button to the lens from the rear of the SX40, making it easier to access. As noted, the SX50 has a relatively small CMOS sensor and we weren’t expecting miracles concerning digital noise. And this camera has it in spades at high ISOs. We took some shots indoors and things fell apart at ISO 640 with lots of noise and color shifts. Past 640 and up to 6400 the results were smeary and bad. Even the Handheld Night Scene mode was not up to par. Definitely shoot RAW if you’re planning to work indoors, using available light without the flash. This camera needs its light. When it gets it — which is anytime you’re outdoors during daylight — you’ll be in fine shape. The SX50 lives up to the Canon tradition of quality point-and-shoots. We’ve always liked the feel of Canon images since they have just the right amount of saturation with good, accurate colors. The SX50 did not disappoint. One annoying thing is the cartwheels Canon forces you to take in order to turn on fast burst of 13 frames per second fps. You have to go into Scene, scroll for High Speed Burst-HQ, and then fire away. And, the 13 fps is only for 10 frames with only the first frame in focus; DSLRs and CSCs are far more responsive. The traditional continuous mode fps is easily available through the Func. Function menu or by assigning it to the shortcut key. Videos are good at 1080/24 fps but not with the pop we like. The zoom is available while recording movies, which is a plus as is the stereo sound. The mics don’t pick up too much camera noise, a problem for many other digicams. Just realize the SX50 is not geared toward filming “Les Miserables” but your productions will entertain your friends. Conclusion Available for $400 or less, the SX50 HS is a fine mega-zoom — especially good for travelers. Image quality is tops in class, it’s a lot lighter to tote around than a DSLR, and the focal range can’t be beat. It has its limitations but if you can deal with them — and most photographers can — the SX50 HS is a good choice. We just wish Canon would step up their game by handling noise better and improving movie quality from adequate to very good. Given new camera announcements are due early next year we’re hoping this will be the case. Highs Industry-leading 24-1200mm 50x optical zoom Rich, accurate colors Excellent image stabilization system Lows Noise issues at higher ISOs Video frame rate behind the times EVF should be larger Editors' Recommendations The best point-and-shoot cameras Canon stacks on features to Powershot cameras with better burst, new sensors Canon finally makes 4K mainstream with the $400 40x zoom PowerShot SX740 With a sensor pulled from DSLRs, Canon’s G1 X Mark III is as advanced as compacts get Canon rolls out new macro lens and refreshed superzoom point-and-shoot

kelebihan dan kekurangan canon sx50 hs